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WinMX World :: Forum  |  Discussion  |  WinMx World News  |  File-sharers' TV tastes revealed
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Author Topic: File-sharers' TV tastes revealed  (Read 522 times)

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Offline DaBees-Knees

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File-sharers' TV tastes revealed
« on: August 28, 2009, 06:06:31 am »
http://news.bbc.co.uk/1/hi/technology/8224869.stm

Quote
Millions of television viewers are now using illegal file-sharing services to access free and unauthorised copies of programmes, research has revealed.

US drama Heroes was the most popular illegal download this year, according to research firm Big Champagne. Around 55 million people downloaded the show, whilst 51 million chose to access Lost, the second most popular show. Visits to leading "torrent" sites, which index video and music files, have also nearly doubled in the last year. The proportion of file-sharing involving films and television rather than music is continuing to rise, the research shows.

"Millions of television viewers now access free, unauthorised versions of favourite shows at least some of the time," says Eric Garland the chief executive of Big Champagne. "This is a socially acceptable form of casual piracy - and it is replacing viewing hours."

Film show
All of the programmes in the top 10 were American, but the survey also examined unauthorised downloads of popular BBC show Top Gear.
   
Most Popular Film Torrents
Watchmen; 16,906,452
The Curious case of Benjamin Button; 13, 133, 137
Yes Man; 13,038,364
Twilight; 11,632,645
Fast and Furious; 10,613,668
Gran Tourino; 9,880,700
Marley and Me; 9,099,219
Slumdog Millionaire; 8,840,884
Bolt; 8,690,633
Australia; 8,628,012

During the most recent series, the figures show around 300,000 downloads of each episode in the days immediately following their broadcast in the UK. But the UK accounted for just 4% of the download activity, with 47% coming from the United States.

Big Champagne says Top Gear has been among the most pirated television programmes internationally. The series appears on BBC America some time after it is shown in the UK, and it appears that some American fans are eager to download it before it is available legally.

The research also looks at unauthorised film downloads and shows they are getting lower audiences than those for TV programmes.
   
Most Popular TV Torrents
Heroes; 54,562,012
Lost; 51,151,396
24; 34,119,093
Prison Break; 29,283,591
House; 26,277,954
Fringe; 21,434,755
Desperate Housewives; 21,378,412
Grey's Anatomy; 19,916,775
Gossip Girl; 19,706,870
Smallville; 19,598,999

Top of the chart was Watchmen, downloaded nearly 17 million times, followed by The Curious Case of Benjamin Button, with 13 million.
The Oscar-winning Slumdog Millionaire, a relatively low budget film compared with the two Hollywood blockbusters, was viewed by nearly 9 million unauthorised downloaders.

The research will be presented on Saturday at the Edinburgh Television Festival in a session on what television can learn from the music industry's experience with online piracy.

Mr Garland says there are major differences between the two industries and the impact on television may not be as severe as some TV executives fear: "We may see a lot of disruption but it is premature to say 'we're next'." The effect on the business is going to be very different."

Big Champagne's research also shows that the rate of piracy for live events, such as sport or talent shows, is much lower than that for popular drama series.

So there you have it.  :gum:

Offline Trestor

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Re: File-sharers' TV tastes revealed
« Reply #1 on: August 28, 2009, 09:27:37 am »

The research will be presented on Saturday at the Edinburgh Television Festival in a session on what television can learn from the music industry's experience with online piracy.


The first thing that would be worth learning would be to not treat their potential customers like the music industry has; to cheat them and then squeal like a stuck pig when people fight back. I'm sure the labels could have made much more money during the past approx. ten years than they have, if they had behaved in a sensible way. I suspect they have cheated themselves out of millions of dollars.

Another lesson would be to not be committed to out-dated business models, but seek to satisfy what people want that isn't being met by current practices. For example, waiting months for the latest Top Gear episodes to be screened is not what a fan wants, and so he tries to get it by other means because he's got the technology to do so. If BBC America screened the show within (say) 24 hours of it being shown in Britain there would probably be few downloads from America of the show.




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